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| Superweiss Alisa Ioffe Since March 10, 2010
Alisa Ioffe's exhibition at Guelman Projects on Malaya Polyanka Street is the concluding action in the Black Works programme, which explores the possibilities and limitations of contemporary non-figurative painting. / more... |










| Thirty Steps to the Sea Victoria and Vlad Yurashko From February 3, 2010. Guelman Projects on Malaya Polyanka 7/7-5
The name of the project describes the device employed by the artists in their quest for an adequate visual incarnation of the concept of the "sea." The sea becomes the symbol of a universum as such – or of eternal nature which, in the words of Boris Pasternak, "brings to naught" the metrics of the life and cognitive efforts of the little man. / more... |




| Proletarian Conceptualism Blue Noses (V. Mizin, A. Shaburov) December 22, 2009 - January 21, 2010
The preachers of contemporary art try to influence the public's taste into appreceating Andy Warhol's art as well as his imitators'. Not a bit decieived, V. Mizin and A. Shabourov observed the past 10 years and were a considerable improvement to the expenditure of russian art. The created the rules, of how it was, is, and will be. The recepies of how it should, or should not be. / more... |




| Apocalypse Georgy Ostretsov Opening 26 November, 2009
The artist's identity is torn between materials: an ephemeral reality and a very concrete reality, death. People have been embalming the dead for ages because it is only after death that real life began for the deceased. Life as preparation for death is also self-embalment. / more... |




| Structure Andrey Syaylev Opening November 19, 2009
Andrei Syaylev was born in Samara (1982) and studied at the Samara School of Art (1997-2001). An artist, curator and art manager, he lives and works in Samara. / more... |







| Assembly Tapes Svetlana Shuvayevà October 16 - November 15, 2009
An interest in self-manifesting or "readymade" painting is possibly the best description of the main vector of Shuvayeva's current aspirations. This concept lies at the heart of her Assembly Tapes – a series specially created for exhibition at Guelman Projects. Svetlana now creates transparent mesh structures from the barrier tape used in construction work or urban regeneration programmes. / more... |




| Night Before the Attack Alexander Brodsky 27.09 – 25.10.2009
The hall is plunged into pitch darkness. The only sources of light are the shining objects placed inside a number of structures. Bound with polyethylene, these constructions recall hotbeds – a traditional feature of Russian dachas and vegetable allotments. The title of the installation, however, is intended to redirect the flow of visual associations in another direction. What we see is a military camp – a cluster of artefacts evoking a vague disquiet. / more... |


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